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Ethan Ashling Interview (w/ Mike Wallace, 2008)

TELEVISION INTERVIEW 02/17/08 – Mr. Ashling’s patio, West L.A.

Ethan Ashling to Mike Wallace (60 Minutes on CBS News, circa February 2008): “Being a rockstar is a serious and dangerous occupation. Mike, you’ve gotta’ know what I mean. You’re prolific. It’s a process, am I right? One where I’m continually in longing.”

Mike Wallace: “What do you long for, Ethan? And you’ve got to be perfectly honest with me because I think we both know exactly why you’re here. I won’t hear your mantra—forgive me, the classic Ethan Ashling excuse.” Mike smiles, shrugging, I’m sorry. But he’s all business, pure interview.

Ethan laughs, takes his sunglasses off, and rubs his eyes viciously.

EA: “Look, Mr. Wallace. I’ve never said any of this on public TV before. Let’s face it. I’ve not exactly been such a private person since I’ve come into this game, have I? I know I have vices. I like to do party drugs. And I’m not going to lie about my alcoholism, but please, who’s to tell me that I’m out of line every day of my life? Who’s to tell me when or where to quit living my life as comfortably, yet functionally, as I have chosen? In my opinion, nobody, Mike. You can’t expect me to sit by and do my work without the freedoms I’m used to. My work flows naturally, while I’m doing what I wanna’ do. As long as I’m making happy with my art—my essence—and I’m not hurting anything, then who’s to tell me to quit enjoying myself?”

MW: “But there you’ve said it, Ethan. You say as long as you’re not hurting anything, but what about you, Ethan? What about Cindy Juarez?”

EA: “Listen, please, I’ve never meant to hurt anybody and I’ve sincerely apologized on many levels to Cindy. I blacked out, okay—too many drinks—too much fun, and I know it’s wrong. It’s unacceptable, but I’m human and we tend to mess things up.” He stops, sighs, and sits back, looking at Mike with a rotten scowl.

MW: “Now Ethan, I’m not wanting to offend you. Please believe me. It isn’t all that. We love Ethan Ashling!—”

EA: “Okay, Mike. You caught me, you did. I’m not mad about it. I’m used to being called out and it’s necessary. I’m going to be a changed man. I swear on it.”

Mike smiles graciously and Ethan stands, grabs both of his hands, and hugs him.

MW: “There, there. No hard feelings, now. It’s good to be honest, isn’t it?”

EA: “Mike, honesty is the best policy. If you think for a second that what I write is purely fictional then you’re nuts. It’s real. I’ve lived it. And it’s one of the reasons I just can’t stop. Believe me, I’ve tried.”

MW: “Then what’s to be said about you having tried? You’re saying you failed to quit?”

EA: “Look, I tried to stop writing, but it’s who I am—no, I never stopped trying to write. That’s just stupid, isn’t it? Listen, I tried acting, tried to sing backed up by some band, but that was a bust, don’t even get me going. Please, you all know what I’ve done—” he looks directly into the camera and points, “—Let’s not delve too deeply into my past. But I can’t continue to stress how sorry I am for acting out in a harsh manner. That’s not me, Mike.”

untitled

Feels like a hundred and ninety

degrees, sprawled backwards,

staring up

it’s Hercules or Rocky

could it be DK

a Sergius cloud. I’m sweating, I said

but whatever man.  

a freewanderer, a soft rocketer

he’s graceful

Intel’s finest hour was the zenith of my altruisms

Can’t it be and have been done by billions

stacks of dollars like Money the person or whoever has words. THE word man

chirping birds come in from all directions in all shapes & sizes

then they swoop away

Masticatory stemcell reproduction - multiplication gave me this notion   something

but then again

TIME by Pink Floyd allowed for a whole book of sixth senses

in my personal opinion

is it the perceptible presentation of a scream?

an ugly large man across the cul-de-sac perhaps

fat frank ohara who yells hallelujah spelled all wrong, anxious even because it is very real saddening the weight

to bear

confusion as to where.

WHERE ARE YOU? ARE YOU MY NEIGHBOR and if not

Where have you been sir

aint seen nobody leave me be

sheriffs got some questions for you dolly

sorry dolly aint here sheriff

hes comin back later dolly when do I tell him youll be in

ah—CHIRP—CHIRP—Birdy—

dolly says to tell you she aint never comin back sheriff

Boom

I cant sir sorry so sir but you were hurtin me

Like that time I

told you I couldn’t stand the lack of space said I gotta get some air meaning metaphorically like GIVE ME SOME GODDAMN SPACE and that

made you cry

you always said I had anger problems.

1997

            In the winter of 1980 the naturally beautiful, blonde Michelle Dawson, born in Oklahoma City, met the love of her life, Douglas Brown, a six-foot, lean country boy with dark hair and tan skin. He was a freshman business major and a Sigma Chi at Indiana—Michelle’s sister Carla, a neighbor of Doug’s, set them up on a blind date—Michelle would be graduating high school in the spring. She was going to be a flight attendant, since her daddy had been a fighter pilot in Vietnam (he started flying commercial airliners when she was in middle school—she always wanted to fly for ATA). Doug was planning on being a stockbroker for a major firm in Indianapolis after college. After they’d dated awhile, he taught himself to not mind the times Michelle was gone on long flights. He had school to worry about, he had obligations to his fraternity brothers to keep in mind, and he had realistic dreams of building a future for himself. He hoped for them.

            Michelle would fly from Indy International to Seattle, to Chicago, to New York, and then back to Indianapolis. She would stay a weekend with Doug, visit a frat party or two, have a few nice dinners, and then set right back at it for another week, in and out of hotel rooms with her co-attendants. She was accustomed to traveling—the lifestyle thrilled her, gave her a sense of purpose, made her feel like she was actually doing something real. Since she was born in Oklahoma, her family had moved almost immediately to Yokota, Japan, then straight to Hawaii a few years later. And then they lived in Boston. And then it was Phoenix, and Dallas, and then all the way to Egypt for a year, before finally settling in Rantoul, Illinois, where Chanute Air Force Base was located, just three-hours drive to Indiana University—Carla’s alma mater.

            Doug graduated in the spring of 1983, positive that he would marry Michelle Dawson by the end of the decade. He set out in search of a career, what he’d always envisioned himself doing. First he’d be a financial intern at Merrill Lynch, a major wealth management firm, for a year and a half. He would gather a list of valuable contacts, he would use his bright personality and positive outlook to gain friends, and then he would be hired on, supported by his business degree from a reputable state school. No, it was one of the top ten business programs in the country. Some would say on charm alone, Doug achieved official stockbroker status in the fall of ‘85. Merrill Lynch hired him on a six-year contract. He and Michelle had already talked about getting married, about having children someday, maybe even in ten years. They weren’t worrying about anything. They were comfortable in one another’s company, with one another’s chosen paths.

            Doug and Michelle announced the engagement to fairly compliant parents in the early spring of ‘87, before flying to be privately wed on a quiet island in Hawaii. Certain in his position at Merrill Lynch, Doug knew that somewhere down the line (very soon), all of his hard work would pay off. And he wasn’t surprised when he received an award for his impact in the firm from Barron’s, a weekly financial newspaper, in 1989, though he was only twenty-eight years old. A year later Michelle gave birth to Doug’s first son, David William Brown.

            “I’m on my way home!” he yells over the backdrop of wind that whips in and out of cracked windows, through the open sunroof, of his silver ‘94 Mercedes SL300, and Don Henley belting Hotel California, a classic. Doug can barely hear himself think, much less speak, cruising down I-465 post-rush hour. Just like Jerry Maguire, Doug’s favorite movie ever. Besides Star Wars: A New Hope. And of course, Ferris Bueller’s Day Off. He screams over the noise, “SHOW ME THE MONEY!”

            “Turn that down!” hollers Michelle on the other end, sounding frantic. She can’t stand the noise sometimes, even though he’s so “always going.”

            Doug knows that. He just likes to jam. He spins the volume knob to the left sharply. “Sorry, I’m on my way home. Ha ha.”

            “I heard you, hon. Is everything all right,” she says, now calm.

            “Everything is just fine, babe. What are your thoughts on Clinton?” Doug is too excited. He can’t quit the thoughts—every moment today, from the end of my lunch break, through the entire fiasco (if anyone could even call it that) with Noder, the fuck, up until this moment, sitting in my slick black, leather interior, with that orange fireball burning behind me, sinking slow…I’ve loved every minute of it. I live for this.

            “Clinton? I prefer Hillary,” Michelle says. “I’ll see you at home.” She laughs and hangs up.

            He smiles, closes his Motorola flip-phone and drops it into the middle console, simultaneously rolling the stereo’s volume knob to the max. Don Henley and the Eagles scream, “He had a nasty reputation as a cruel dude, they said he was ruthless, they said he was crude…” Doug knows every word and sings along. An orange fireball reflects off his rearview, sort of blinding him. He snatches his Ray-Bans from the sun visor and slaps them on, revving his engine and passing an idler who’s slow-poking it in the left lane. He spits minty brown into his water bottle and glances at the time—6:07—I must’ve lost an hour in the office, on the computer, staring at that goddamn screen. He pauses Life In The Fast Lane and flips the radio to AM570—local news.

            “Today Microsoft bought a $150 million share from Apple Computers, who have been in a serious financial crisis, as we all know. Your thoughts on this controversial transaction, Tim?”

            “Well, Char, you know how it goes. You win some, you lose some, you share some.”

            There’s a long pause on Char’s end, until she responds, “Really? Is that how it usually goes? I thought it was sort of like, selling out, you know, giving away part of your company to the competition? Ha ha ha.” Char’s laugh echoes throughout Doug’s car, bass booming, complimenting her hoarse voice. There’s something attractive about a woman with that sort of voice, in Doug’s opinion.

            Tim rebuttals, “It’s not selling out if you’re Steve Jobs and your company is going bankrupt. Ha ha ha ha.”

            “Ha ha. Good point.”

            Good point, my ass. Where’s the weather? C’mon, Steve Jobs is lucky Bill Gates had the brains to invest his money in a worthwhile opportunity, so that later he could donate to the Apple fund… Doug flips the knob, cutting Char and Tim’s debate in half.

AM640 is strictly local weather. “Sunny skies this weekend, folks. Highs in the eighties, lows in the low-seventies, so you can expect to see quite a few more days at the pool! But remember, if there’s a heat advisory, be sure to keep drinking those fluids. I’m talkin’ water, people. Keep it in you and keep it classy, everyb—”

Doug cuts the phony weatherman off, turns back to the Eagles, maybe the best. Besides the Beatles. And perfect weather this weekend, too. Perfect for doing yard work, which is how Doug will spend his entire weekend—away from Brian Noder, anywhere he is not. Brian Noder is the scum of the earth. Doug thinks, I’d rather be mowing the lawn, weed eating around the back fence with my shirt off, edging and fertilizing the yard, cooking out with Michelle and the boys all weekend. David’s baseball game on Saturday. And the new system coming this evening! He imagines all he has to look forward to, singing his favorite part, “Call the doctor. I think I’m gonna’ crash. The doctor say he’s comin’, but you gotta’ pay him cash.”

His Motorola starts buzzing in the cup holder, followed by a shrill alert.

Doug flips it open and says, “Jimmy Boyle, how’s it going? Good news?”

“Great news, buddy,” says a gruff, solid voice. Jim Boyle is an old friend of Doug’s from IU. They were both Sigma Chis, and their other brother, Benny Niceley, is in possession of a “luxury” pre-owned car dealership. Benny wants the dealership off his hands, and who are better prospective buyers than two of his best friends from college? Jim says, “Ben is ready for us. He wants to start making moves next week.”

“Benny boy! That is great news, Jimmy. Thanks for the update. Anything else?”

“That’s it, man. Just positivity from here on out. I’ll talk to you soon.” And with that, Jim hangs up.

Squeaky clean, front tires roll over the bump at the end of the driveway, suspension bounces, followed by the back tires, until Doug is parked. Michelle’s white Chrysler Town & Country minivan is in the garage and the door is up. Doug shuts the engine off and steps out, admiring his two story brick house with four bedrooms, two bathrooms, and a finished basement. And the backyard is huge. He scans the front, spots David lying in the grass playing Taylor’s (David’s cousin; Michelle’s sister’s son) old Game Boy—probably either Tetris or Pokémon. The large Ash tree, surrounded by a ring of manicured mulch and an organized bed of Begonias, is dropping its turds. David calls them turds because they’re dark green berries with long stems, like cherries, but they really do look like bird shit.

Jack, only two, is trying to stand up a few yards away from David, but continually plops back down on his butt. A baby blue blanket made of fleece lies a few feet further in the green grass—it was David’s in ’90, now a hand-me-down.

Doug notices that the grass needs to be cut. But damn, is it green? “Dave, why is the neighbor kid in our yard? Go tell his parents to look after him,” he says walking onto the lawn.

David sits up, startled by Doug’s deep voice. Is that Kent? Spencer’s (David’s neighbor friend) dad is such a jerk. He notices who’s calling him, realizes his forgotten responsibility and glances at Jack who is still struggling, grunting, maybe saying the words, “Pop, pop.” Could be “Plop.” Or “Pot.” David can’t figure it out. He shades his eyes with his hand and says, “Dad, it’s Jack. Your son, remember?” He laughs at himself, thinking he’s cracked some hilarious joke, and hops up to hug his dad.

Doug squats, intercepts the hug, wraps his arms around David, and carries him airborne, twirling him effortlessly. They fly a few feet to Jack and David secures himself onto Doug’s shoulders. “Get up here, boy!” says Doug, bending at the knees to pick his second son up off the grass. He pats Jack’s butt, making his diaper crunch. “Now, where’s mom?” he says, heading for the front door. He can feel the mass of whatever mess Jack has made lying idle in his diaper, but he chooses to ignore it.

“Inside, duh,” David says, laughing again, tickled by vertigo from this height. He ducks when Doug walks through the front door, so he doesn’t smack his forehead. Jack starts screaming, crying for no reason at all, yelling, “Oop, oop! Toooooo!” Doug shrugs, tossing David onto the living room sofa where he lands with a boyish grunt, and then Doug shifts the baby on his hip, as he walks into the kitchen.

Michelle is glancing through a stack of mail. She has a sweating glass of Diet Coke on ice with a straw in front of her, and she’s got her eyes all over the cover of a Banana Republic catalog. “Hi,” she says softly, without lifting her gaze. “What do you boys want for dinner?”

“You,” says Doug, smirking. “I want for you to hold this thing.” He laughs and completes the handoff. “Touchdown. How was your day, baby?” He moves behind her, wrapping his arms around her, and kisses her on the cheek hard. He squeezes her hips and rocks and closes his eyes. Nothing could be better than this. Nothing could be better than forgetting all about him, Brian Noder. Brian fucking Noder. I can’t wait to be out from under that pathetic excuse for a person. I almost can’t even imagine using the word ‘fucking’ in front of David or Jack, much less Michelle. She’s too conservative, too religious, but it isn’t like I dislike going to church as a family every Sunday. First Baptist is like a second home. Jack’ll play ball there, too.

Michelle interrupts his half-asleep stream of consciousness, “Got the laundry finished before Dave’s practice ended, picked him up, ran a few errands. It’s so nice out. Should we eat outside? We really should.” She flips a few pages deeper into the catalog, eyes still flickering. She wants a new skirt. New tennis shoes. What I really want is a new racket, or at least mine restrung. All I have to do is ask him, but I feel like it could be too much. Is it too much? It always feels like it’s too much.

Doug pulls a bottle of Corona Light from the fridge and reaches for the bottle opener magnetized to its side, next to souvenir magnets from Hilton Head and Fort Myers, Florida. David’s first grade portrait is tacked next to a stylish, professional photograph of baby Jack, not smiling, red-faced, pudgy and covered in drool. But he’s wearing Ralph Lauren overalls and Sperrys.

Doug says, “Bleh, I’m tired. Can’t we just eat in the dining room tonight?”

Michelle glances up from the magazine and looks over her shoulder, towards the dark dining room. “Really? But it’s so nice out.”

“I know, I know. If you want to so bad, why not? Did you get to play today? Looks like you got some sun.”

Michelle gives Doug a look of suspicion, as if to say, “Are you okay?” Instead, she says, “The girls just wanted to lay out.”

Doug shrugs. He walks into the pastel-colored den, where the backdoor exits into the garage. The den is littered with Jack’s toys, an Elmo doll, some oversized Legos, the crib, and a tiny color TV with bunny ears that are now obsolete, ever since Doug had the satellite dish installed the previous year. And the Dial-Up has got to go. A cable modem would be ideal.

The hot air in the garage smacks Doug in the face, as he makes determined strides towards the Mercedes, where his briefcase rests in the front seat. He turns the key halfway, so he can roll up the windows, close the sunroof. The honk echoes through the garage. Maybe I should trade the SL for a Corvette. Why not? I’d look awesome. But is it necessary? What’s necessary at this point? I’m on top.

Even Michelle’s delicious beef lasagna and garlic bread and a fresh garden salad have trouble keeping Doug’s attention. Michelle makes David eat every single bite, while Doug mindlessly spoons baby peas and carrots into Jack’s mouth. Doug isn’t focused on the forest green paste, but instead he carefully watches the front window out of the corner of his eye, waiting intently. They’ll be here any minute. I can eat later. I’m not even hungry. C’mon, open up, dude. Stop bubbling. I hate it when he bubbles. It makes my stomach bubble.

“What’s the deal?” Michelle says, biting into the last of her garlic bread. Her plate is so clean it looks wiped. Her cheeks are red from lying out today.

Doug thinks it makes her look cute, cuter than she normally is doing laundry or shopping online. He looks at her and smiles. “Absolutely nothing,” he says. “Trust me.” He turns and looks out the window again and says, “Oh, look who’s here!”

Out front, a delivery truck from hhgregg pulls into the cul-de-sac, as the driver scans houses for the street number: 9401.

Michelle says, “Who? What? Doug?” She turns in her seat, watching the foyer for shadows, somebody coming to the front door. Who is it? What in the hell does he have planned this time? is all Michelle can think.

Doug is on his way into the den, grabbing something, two things out of his briefcase. He carries them into the dining room just as the doorbell rings. He says to his wife, “We have company, babe,” and hands her two remote controls.

What are these? “What are you talking about?” The look on her face represents utter chaos, the unknown—her mind ravels into billions of threads, spinning, winding and stretching, until she can’t even begin to imagine and so she just waits.

Doug welcomes them in, winking to Michelle who rolls her eyes and shakes her head. “Come in, come in,” he says. “This is the living room. Don’t mind us one bit.” He beams, rocking back and forth on his heels.

Michelle can hear them in the living room, Doug instructing where, but she doesn’t know what. “Watch your brother for a sec, honey. And finish your plate,” she says to David, before walking into the living room to join Doug. She nudges him in the side, saying nothing.

“What?” he says, grinning even bigger than before. The redness in his face is a deep tan, too dark to tell whether or not he’s truly embarrassed. His brown eyes seem endless, but she trusts him. “You’ll see.” He mouths the word: Pioneer.

Audio/Video technicians from hhgregg install the new big screen, the surround sound stereo system, the six CD changer, the three-foot speakers, the brand new oak-wood entertainment cabinet Doug ordered today during his lunch break, and they set all of it up for free. They build the cabinet, they bury the cables under the baseboard, they install the components, they connect everything to the TV, and they instruct Doug and Michelle on how they should go about using their new system. Doug is unable to speak. He wants to run, but he wants to stay and play too. He wants to share this excitement with his wife, but whenever he looks at Michelle, she seems to frown. Is she not as excited as me? Isn’t she so pumped to mess with the volume on these new speakers?

“Aren’t you so ready to watch a movie now?” says Doug, almost peeing his pants. I feel like a seven year old. “Dave! Where’s Dave?” He glances around the room, hopping on one foot and then the next, turning around and around. He wants to shake Michelle, to hug her. “Dave!”

David hollers, “In here,” from the den, where he’s on the computer playing a CD-ROM—a Tonka Construction game. One he’s beaten several times, but it never seems to get old.

“Come see our new TV!” Doug’s eyes are huge, ready to show everybody all these cool new features. He waits. It’s like Christmas morning. Like when he was nine and his dad brought him home his first Daisy Red Ryder BB rifle. And then he went outside and shot his first squirrel and felt like he was really a man for the first time ever.

David says, after another minute of excavating, “In a sec.”

Doug’s face goes slack with disappointment. He turns to Michelle and says, “Why is nobody as excited as I am?”

Michelle looks at him and smiles, knows how he feels, but she’s sorry she can’t feel as excited as he is. “Dave is seven. Jack is two. I’m not into all that electronic stuff, babe. We can all watch a movie together, how about that?”

Doug grabs her and kisses her hard on the mouth, picks her up and kisses her again. He carries her to the couch and collapses on top of her, laughing hysterically, causing her to explode with similar laughter, until both of them are almost crying together. Doug gets up, panting, and says, “C’mon, Dave! Let’s play Nintendo.”

Less than ten seconds after Doug finishes that last word—Nintendo—David sprints into the living room and slides on his socks across the carpet. He stands beside his dad, watching the remotes, wondering why everything has to be so complicated all the time. Why can’t kids just play games? Why can’t we just have fun? “Mom?”

Michelle sits up on the sofa. Her chest is still slightly heaving from laughter. “Yeah, honey?”

“Do I have to go back to school next week?”

“Of course you do!”

David acts like he wants to die. He falls on the floor, dramatic as ever, curly blonde hair he inherited from his mom waving and bouncing, while he pounds his fists on the floor and yells, “Noooooooo!”

“Hey, quit it,” says Doug, flipping David’s Nintendo 64 on. He tosses his son the blue controller, plugs them in, and sits back on the ottoman of their red leather lounge chair.

The start menu screams in surround sound, “It’s me, Mario!” Go-carts fly around the corner, bigger than David has ever seen them in his life, like this is something he will never get to experience again, but then he knows that this is one thing he loves about his dad—doing new things, exciting things, going places he’s never been before.

Moments later Doug crashes into the wall, laughing, not a care in the world about his poor video-gaming skills. He has an epiphany: Why are we playing video games? I want to go sailing. I want to vacation, before Dave has to go back to school, before Jack gets old enough to go, before Dave can leave home. I want to teach Dave how to play every sport, not just baseball, and how to make friends, and how to be a successful business owner, or just do whatever Dave really wants to do. He snaps out of his stupor and pauses Mario Kart and wrestles David over his shoulder, back onto the floor, where he has him pinned. He growls and they both start laughing.

“I was winning! You cheater! You cheater!” David yells, tickled to the middle of his insides.

Doug lets him free and he jumps up.

“Let’s watch Star Wars,” Doug says, winking at Michelle.

Michelle gives the look that says, “Oh no, I don’t know about that.”

But Doug knows that David is ready. David knows he’s ready and says, “What? You mean it? Can we, please? Mom?” He looks back and forth, wondering, wanting to know immediately that his parents aren’t just messing with him.

“Please, mom?” Doug says, laughing. “We have to have popcorn first.”

Jack is fast asleep in his crib and Luke Skywalker is halfway across the desert with his newfound droids, while David snores under a comforter on the floor, his head on a couch pillow. His bowl of popcorn is just kernels and Doug can’t help but not pay attention to the movie. He stares at Michelle’s sandy-blonde hair, the dark highlights, wondering why she didn’t like it how it used to be. Why isn’t it just blonde, pure, like it always was? He wants to know what she wants. “What do you want, baby?” he whispers, without even meaning to do it. “Tell me what you want.” His voice is so low, she can hardly hear him over electricity, the gadgets, all that stuff in front of them and behind them, all those things that just come down to money.

Michelle brings her face closer to his, kisses his nose so lightly that he can barely feel her lips, and she says, lowering her voice, “Luke, I am your father.” And then she laughs so hard she gets redder than she was from UV rays, and they both feel hot under the heavy blanket because Doug can’t stop laughing either, so they toss it off.

“That’s exactly what I want,” he says and closes his eyes, lying on top of her. “I also want to buy a boat. And a car dealership.”

“You’re goofy, babe.”

He opens his eyes. “No, I’m serious. I’m quitting Merrill Lynch.”

Michelle says nothing. She narrows her eyes and purses her lips.

Doug can feel the reaction she’s about to give grow in his groin, bulging, and then it shifts, moves to his stomach, his chest, expanding and contracting, his heart aches because maybe her face means that it isn’t a good decision, maybe she isn’t supportive of everything he does, maybe she doesn’t trust him.

“Why would you do that, Doug?”

She didn’t call him baby or babe or honey. Just Doug. He feels the weight sink heavier, feels the strings pulling tighter on his lungs, contracting now, not expanding anymore. His brow shrinks; it wrinkles, and he can feel it starting to hurt because he doesn’t want to do it. He wants to be happy. Why is she questioning me? What did I do to make her not trust me fully? I must have stayed too long at the office.

“Well, answer me. Why would you do that?” She sits up on the couch, forcing him off of her.

He feels sweat on his forehead. He stutters, trying to form a response, “I, I, because… I think I need to be my own boss. I know it. I won’t work for Brian Noder another week. I’ll kill him if it continues.”

Michelle looks absolutely disgusted. She says nothing.

“Don’t look at me like that, please.” Doug sounds like he might cry. His lip trembles. “Please, Michelle, baby. I love you. Please. I just, I don’t know right now.”

“So all of this, Doug. That’s what this is about? You just need to keep making money? You gotta’ keep going, right? Keep it up, because five hundred a year isn’t good enough for you? Who are you? We used to be happy with a thousand dollars. I used to have nothing. Do you know how content and fortunate I feel to have you, to have our life, to have Jack and Dave. Our babies?”

Doug says nothing because he can’t formulate the words to express himself. He can’t seem to think of a sufficient response because Michelle always has the words when she’s being threatened. She knows exactly what to say under pressure, but that’s not him. He’s different. He has to have a plan of attack, a method, a way out, and right now, there’s nothing.

“I’m going to bed,” she says. “This discussion never began.” She stomps up the stairs to their bedroom and slams the door.

From the living room couch Doug can hear his bedroom door lock from the inside. I’m really sleeping on the couch tonight, after all this? He looks around the room. He glances at David on the floor, and then to the big screen, where Vader breaths deeply, questioning an aid about the progress of the Death Star. Doug gets up, turns the movie off, and scoops up sleepy David. He carries him to his bedroom and tucks him in, closing all of the blinds, before turning out the lights. A framed photo from Kings Island, when David was about five years old, catches Doug’s eye. That was in the middle of it. No worries. He notices the lack of lines on his forehead, wonders how fast somebody can age in a whole two years, looks closer and picks up on the smallest features—Michelle’s dimples, the lines around her mouth and the corners of her eyes. That’s what I love.

He leaves David’s door open, because he’s a seven-year-old and sometimes he needs to run to his parents’ bedroom in the middle of the night, and this hits Doug hard, what if my son has a nightmare and he can’t get in my bedroom for help because she locked the door? What if we aren’t there to make sure he’s okay? Doug starts to think about terrible scenarios. He gets a tear in his eye, walking down the hall, to where his two year old, Jack, lies sound asleep in his crib. Doug looks in at Jack and a tear falls, drips just on the sleeve of his tiny shirt—Indianapolis Colts—a blue and white long-sleeved Doug and Michelle bought on Christmas Eve, after a game against the Bills in the Hoosier Dome.

Doug takes the tiny hand, forcing it to grab onto his massive thumb—it looks gigantic surrounded by Jack’s miniature fingers. It’s funny how babies do that. They can be asleep and they still wanna’ hold onto your finger. Security or something. Doug has trouble imagining how something so small was actually one hundred percent smaller just two years ago. He doesn’t want to think about baby Jack growing up fast, going to college like he did once, doing all the terrible things he did. Doug leans over as far as he can into the crib and kisses Jack on the top of the head, admiring his dark hair, knowing that his own head is where that trait came from.

He walks down the steps to the living room in almost perfect silence, wondering what’s going to happen when his boys move out and leave he and Michelle alone. It’ll be quiet, that’s for sure. He starts to cry hard, imagining his oldest son experiencing drugs for the first time, doing a line of coke off a mirror in a frat house, something Doug was never proud of because he knew his dad wouldn’t have been proud of it either. Doug has the urge to grab his keys from the hook in the kitchen, under the cubbyhole where they keep spare change and paperclips. He has the urge to drive downtown to a bar that stays open until the early morning. He even has the urge to do coke, but he doesn’t know why.

He grabs his keys and unlocks the back door using the most precise movements. In the driveway, Doug contemplates driving off forever. What happens tomorrow? What happens when Michelle doesn’t accept the fact that I’ve already quit? What happens when she finds out that I cursed out Brian Noder in the boardroom during the advisors meeting? What happens when she finds out that my last five awards have been revoked? Michelle might kill me, might actually murder me. She’ll run to Illinois and live with her parents, taking my boys with her. I don’t know. She might become a flight attendant again, but maybe that’s for the best. She never wanted to quit, I know that. She always loved flying, but I needed her at home. I missed her too much. And I got her pregnant and we had Dave so she would stay home with me. And now this. I never wanted this.

Doug presses the unlock button on his key fob, but nothing happens. The key fob seems to be dead, but for some reason Doug isn’t going to try unlocking his Mercedes SL300 again. He wants to go inside and sleep with Michelle, but actually sleep. But instead, he goes inside and gathers the comforter and couch pillow that David was using on the living room floor. Doug makes a bed for himself in the hallway just outside of David’s bedroom. Doug sleeps deeply for the first time in… he doesn’t know how long. He doesn’t care. Tomorrow I’ll explain my position to Michelle. A civilized conversation will solve all our problems. But for now, Dave needs my protection.

bad ft. lauderdale palm tree graffiti

bad ft. lauderdale palm tree graffiti

another cover idea

another cover idea

future novel cover?

future novel cover?

the bomb squad

“In 1999 I met the woman of my dreams.”

“Really? What happened to her? You get married?” I asked.

“I was tripping on acid in the middle of Times Square and she was dancing in the nude. People were crazier then. She had fantastic tits.”

“Dancing nude in Times Square?” I looked up from my sandwich.

“They arrested her. 1999 was my favorite year. Things were simpler then.”

“You were on LSD?”

“Who wasn’t?”

“That’s absurd,” I said and shook my head. I wanted to laugh, but I was afraid Liam might take it the wrong way. “But very interesting,” I covered.

“Did you know I came into contact with the bomb squad once,” he said, not specifying which police force he was dealing with. It could have been Kansas City, might have been JFK for all I knew. He could never look you in the eye, either. He had to have been thinking of something extremely interesting, being the reason why I usually struck up conversation with him during lunch break. His character always intrigued me.

“You what?” I said. I hadn’t really been enjoying my turkey and cheese sandwich… it lacked something—mayo, mustard maybe. I don’t know. I wanted a candy bar.

“They were in the airport, snooping around my bag.” He slapped an unopened off-brand cup of strawberry-banana yogurt on the tabletop and searched for a spoon all around him, even checking his shirt and pants pockets.

“Was there a bomb in your bag?” I said.

“Nope. Just left it there on the floor for a good twenty minutes or so. Just forgot about it, you know?” He shrugged, peeling the aluminum off the top of his yogurt.

“I mean, you should generally remember to grab your bag before leaving an airport, right? What did they say to you? You went back for the bag, didn’t you?” The entire concept seemed insane, but I didn’t doubt Liam Straub one bit.

“I just picked it up and got outta’ there, dude.” I watched him slurp the pink yogurt down without a spoon in about three fluid gulps, his Adam’s apple bobbing up and down the whole time. He sat back satisfied, a crooked grin on his face. His teeth were yellow—a stained picket fence protruding from his pale pink gums.

“What’d they say to you?” I asked. I caught myself staring at his stubbly, dimpled chin. It looked like he’d dyed his hair silver, too metallic or something. Two metallic silver mounds on either side of his cleft.

“Nope. Got into the taxi and sayonara. Never looked back, you know?” He stared at the silent TV that continually re-ran an elaborate Latin soap opera on channel 13, in the corner of the room. He stared at the shiny glass that protected the vending machine from petty theft. Hell, he stared everywhere but in my direction.

I didn’t have the right words for him. Liam looked to me like the kind of guy who could wrestle an alligator in the Everglades during the off-season, just for kicks. He had the muscle and he could throw knives likes nobody’s business, I knew, ‘cause he’d told me time and again, story after story about throwing knives with his now-dead brother, Stephen, who was killed in a tornado seven years ago, almost five hundred miles from us, in Topeka. Liam said his brother Stephen’s body was “just sucked up.” by the killer cyclone and tossed something, like, seventy-five miles away from his home. I think he landed in Missouri, or somewhere near Kansas City…

Liam would stare off into the distance whenever he said something like, “I could use a new car. Maybe a white Ford. A Bronco. What you think?”

“A white Ford Bronco? I think that’s an awkward association, Liam. You know O.J. fled in a white Ford Bronco after killing Nicole, right? He fucking murdered her, man.”

“Who’s O.J. and Nicole?”

Again, no words. But something from the past continually reminded me that this was completely normal behavior for him. He wasn’t with it like most of the people I knew. I knew a lot of people; I worked in the mill, summer after summer, year after year, and such. “The Simpsons,” I told him, shaking my head with a short laugh.

“I never watched cartoons, brother. I’m sorry, but maybe Lucifer over there could shed some light on your subject.”

I swiveled around. The stools were connected to the lunch tables and they spun gracefully whenever one’s weight was shifted just so. Clark Baker, so-called “Lucifer” by Liam, was opening a brown sack that sat in front of him. It was heavy at the bottom, as if his peanut butter and jelly sandwich and barbecue potato chips and large-curd cottage cheese had all been smashed, packed down by the centrifugal force of gravity.

Clark looked at me and shrugged. Nobody knew why Liam called him Lucifer; he was a perfectly sweet kid, never did anything to anybody. I think he planned on going to Notre Dame. Liam despised him despite these facts. He would constantly crack racist jokes, even though he and Clark were both white. I never understood it. I never really laughed.

“What does Clark know about The Simpsons,” I asked him in a hushed voice.

He stood up and walked over by where Clark was sitting, eating his lunch quietly. He said, “Lucifer! You like The Simpsons? You know that stupid cartoon?”

“Liam, c’mon,” I said, waving him back over. “Take it easy.”

“No, listen up, Harry. This kid, Lucifer, the Devil Himself, knows everything there is to know about watching cartoons because he’s a little fucking kid, but he’s Satan, you know? It’s all fucked up. You can see it in his eyes if you look hard enough.”

“Liam, what the fuck is the matter with you?” I didn’t know what to do. As long as Liam wasn’t touching him, it was obvious that he was absolutely insane. It was all a bunch of nonsense, as far as I was concerned. I couldn’t help his behavior. “Leave him alone,” I said, rolling my eyes.

“No, no, no,” Liam said, shaking his head. Then he put his hands on both of Clark’s shoulders, just lightly, not using any force.

I got uncomfortable. My palms started to itch and I tensed up, clenching my jaw. I gave him the look.

Clark could only shrug again, the most confused and terrified grimace I’ve ever witnessed on his pimply, white face. I wanted to get up and pull Liam out of the break room, back onto the floor, where everybody could keep an eye on him, make the call if need be, but I couldn’t move from my stool. I had to finish my sandwich, no matter how distastefully dry it was—that much I owed to my mom for having made it in the first place. It was my fault for not having specified which ingredients I preferred. I always told her she didn’t have to do it, that I could do it myself in the morning before leaving for work, but she would fix it all anyway with other snacks and seal it up nice in a paper bag.

Liam screamed, “Do you know what this little fucker did to me?”

I jumped up. I said, “Whoa! Hold on a second, man. Don’t you think you’re kinda’ outta’ line here?”

He moved his hands up Clark’s rigid shoulders, wrapping his fingers around the throat, squeezing tighter and tighter, until Clark’s face turned red and his eyes grew to maximum capacity and his purple lips moved, but nothing was coming out. All of his pimples might have burst at once.

I ran towards them and leapt across the table, airborne, hands outstretched. I had to stop Liam’s spontaneous, violent outburst. I had to be a hero in a time when there was nobody else to save the day.

My stiffened palms rammed into Liam’s chest, just above Clark’s head. Our three bodies entangled in the air, as we fell to the shiny, tiled floor of the break room. Liam’s grip loosened, allowing Clark to breath deeply and freely and begin coughing, while Liam screeched in pain from crushing his tailbone on the floor.

I jumped up off of them and pulled Liam to his feet, shoving him against the wall to shake him out of his stupor. “What the hell is the matter with you?” I couldn’t control myself. It all came out as me yelling at the top of my lungs. I had him by the collar, cotton bunched up in my balled-tight fist.

“What?” He was crying, face twisted in a contorted mess, like he didn’t know what in the world was happening to him. “I’m sorry! What’s going on?”

“Don’t play that game with me, Liam! Don’t act stupid! You just assaulted Clark for no fucking reason! What’s your problem? Why do you call the poor kid Lucifer! What’d he ever do to you?” I was burning hot, steaming from within, ready to shove Liam and his entire existence through the drywall he stood up against.

In that solitary second, I witnessed an act of the supernatural. I’ve never seen anything like it to this day. I don’t know what could possibly explain what I saw, what actually happened in that break room, besides supernatural forces at work. In that one second, Clark’s body seemed to morph, transforming him into an enlarged, boulder-like entity—entirely solid—yet he cast an aura of something that resembled what looked to me like plasma, but a vague bluish color. The extreme heat coming from Clark’s new form was enough to drive me back, forcing my grip on Liam’s collar loose.

I almost ran, but my feet were stuck in place by some inexplicable force. It could have been the fear.

The next second, Clark’s fireball self launched at Liam, determined to dematerialize him on the spot. The look of horror on Liam’s face gave me chills all over. I fell to the floor and scrambled towards the wall, trapping myself in the corner like some dullard animal.

Clark was just then suddenly Clark again, no signs of any supernatural plasmatic fireball consuming his being. And right before my eyes, his unbelievable strength of supernatural force drove he and Liam straight through the very drywall I had imagined myself shoving Liam through moments earlier. I heard a deafening crash and then bursting rubble and white dust rained down everywhere, as in a matter of five seconds, the entire altercation was completed from beginning to end—Liam lay unconscious, covered head to toe in white, while Clark sat on the floor just beyond him, simply unharmed, but also covered in dust.

I pulled myself to my feet and stared through the large hole in the wall. I was stunned—it was like a scene out a heist film. Everybody who worked in the factory stood absolutely still, paused in whatever task they had been working on, staring back through this massive hole at me, shifting their glances to examine Liam’s dust and rubble-covered body on the factory floor, practically disregarding Clark altogether, as if he had done nothing at all.

“What in God’s name is going on?” Mad Chad screamed at me, waving his hands in the air without the slightest care about where they went or what emotions they seemed to convey. I could tell he was furious, but it didn’t surprise me. Mad Chad received his name due to the violent nature with which he conducted his business as Floor Manager. He gave the orders, rather screamed them, and didn’t take a lick of shit from anybody in the company. Not even our beloved owners Sean and Penny Coolidge who still pay out holiday bonuses and give their most faithful employees each a frozen turkey.

“Are you talking to me?” I yelled back, over the roar of the still-churning machinery.

“What the fuck did you do, Harry?” he hollered, his face turning red.

“Ask them! I was just sitting there, eating my lunch! I did nothing!” I threw my hands in the air. I was completely innocent. Nobody was going to believe what I saw. I didn’t know how to explain myself or what I’d say to anybody who would undoubtedly ask me what happened… a billion scenarios began to flash through my head. Of course, what could they say? I wasn’t strong enough to throw a man through a wall. I could prove that. But I was stronger than Clark Baker, who was a scrawny shrimp nugget in my opinion. I could see all of them forming suspicious thoughts in their minds—everyone’s immediate assumption was that I had thrown both Clark and Liam through the wall in some crazy fit of rage. For no reason whatsoever. Or so it seemed to me. I cringed and ran out the break room door, down the hall, toward the restrooms, and went into the Men’s room to hide in the last stall.

I imagined someone helping Clark up from the floor, dusting him off, comforting him, before finally asking him what had happened. I imagined Clark telling them that I was all to blame, that Liam was the one who provoked it all. Liam would be convicted of assaulting Clark—there would be police involved in this whole thing because Harding-Silverman was never liable in any matter. Wasn’t anybody going to barge into the restroom looking for me? Any moment somebody was going to—

“Harry Turner! Are you in here? We need to speak with you immediately, son. Come on out now. I can see you back there.”

I was caught. I had to comply. I had nowhere to run. I’d gotten myself cornered.

“That’s right,” said Mad Chad, motioning me towards him. “Come on out here. Follow me.” He went out, but held the door open, waiting for me to come with him.

I followed. I inhaled the putrid smell of the color ink that permeated the oxygen we were all forced to breath day after day—I coughed and wondered if someday I would have some terrible form of cancer from breathing this shit. I considered the worth of my paycheck and imagined lawsuits—hundreds of ex-employees versus Harding-Silverman Group. I could hear sirens, real sirens coming from somewhere outside the aluminum warehouse walls. Soon the police would be inside, surveying the scene, the hole in the wall, questioning me and Clark and Liam and looking for a logical, reasonable explanation, but they would find none because Clark would never admit to being demon possessed. This ordeal would come to no fruition and we were all going to be contained overnight, held on the grounds that nobody could explain anything! I was panicking. I needed to breath. I needed fresh air—I felt puke bubbling in my gut, rising slowly, but steadily. I felt nauseous and dizzy.

Liam was still lying unconscious in the pile of rubble, white dust, splintered wood. A pool of red paint had gathered beneath him, while I sat in the bathroom, shaking on the toilet. I looked all around the scene for a cracked can of red paint, but didn’t see one. I wondered if somebody had cleaned it up already. They must’ve been waiting for the police—an ambulance would come and the EMTs would take Liam outside on a stretcher, just in case he’d broken his neck or back or something extreme. You can never be too careful in these situations.

That was it. They weren’t going to mess with him right away, since nobody could claim liability in this case. They couldn’t afford it.

No… Liam was actually dead and the red paint under him was a pool of his dark-red blood, hot and fresh. The force behind Clark Baker’s demonic blow had driven a six-inch shard of wooden stud straight into Liam’s side, causing severe bleeding. I hadn’t seen it before. As he was knocked unconscious, he began to bleed out, and before the police or any ambulance could arrive, Liam no longer had a pulse.

I felt even fainter than before, though I thought it hard to believe, considering the state of shock I had already been in, having seen the supernatural forces of nature in action, the death of a co-worker, the demonic possession of another… I was about to go crazy.

“Mr. Harrison Turner? That’s your name, isn’t it?” asked a dark-haired officer.

I spun around and looked him over.

He was clean-shaven and fit with a squarish jaw, slightly block-headed, but in no way dumb or dull. His eyes vibrated between blue and green.

“Yes, sir,” I said, shaking my head. I wanted to go home. I wanted coffee and sleep at the same time. I didn’t know how to feel. I hoped he would believe everything I had to say.

“What exactly did you see?” He held a blue-ink ballpoint pen in his right hand, and wrote everything I said in a pocket notebook that he held in his left hand.

“I saw Liam put his hands on Clark’s shoulders. He was going on and on about Lucifer, claiming Clark is the Devil and I mean, he always called him that, but I never thought it was true or anything, like I didn’t really know why he called him Lucifer, you know?”

“You’re saying Liam Straub usually called Clark Baker ‘Lucifer’?” asked the officer. His eyebrows moved up or down simultaneously.

I shook my head.

“What happened next?”

“I don’t know why, but he started strangling him. Liam just moved his hands up around Clark’s throat and starting squeezing and said something about ‘Do I know what that little fucker did to him?’ and I didn’t know what else to do but go at them and try and stop him—”

“You went at them how?” he asked, suspiciously.

“I mean, I just sort of laid out and dove through the air at Liam mainly, trying to get him off of Clark, you know? I hit him in the chest.”

The officer sort of squinted and shook his head, saying, “Hmm… and that’s when they went through the wall. How did you not…?” He pointed his pen over his shoulder at the destroyed wall and looked me in the eyes.

“No, no… that’s when we hit the floor and Clark was coughing for breath and Liam hurt his tailbone and started wailing and then I pulled him up by the collar and started asking him what the hell he was thinking, strangling Clark like that.”

“You had him by the collar?”

“I had him up against the wall, you know? Like this…” I showed the officer how I held Liam’s collar in my hand, while pressing an invisible body up against a portion of the wall that was still intact.

“Then what?”

“Then, out of nowhere, Clark comes flying like some burning bright blue fireball straight at us and the heat was enough to knock me on my butt on the floor and that’s when Clark’s fireball form, like, crashed into Liam and they both went through the wall.”

“Wait a minute… what did you say?” The officer wasn’t sure what to say. I could see his thoughts spinning behind his color-changing eyes, wondering what in the hell to think.

“You have to believe me,” I said. I was anxious, ready to leave.

“You’re telling me that Clark Baker turned into a blue fireball and flew at you, forcing he and the other guy straight through that wall?” He pointed at the hole again.

“Exactly,” I said, nodding. “I swear to God.”

“Are you shitting me, kid?”

“Please, sir. You’ve got to believe me. That’s what I saw.” I didn’t know how else to convince him. What could I do? That’s what I saw and I had no other story. I needed another witness. Clark had to tell them what really happened. “What’s Clark saying? Is he telling you the truth?”

“Listen, we’re questioning him right now. We can’t have you two—”

“The tape!” I suddenly remembered. “Just look at the security tape! There are cameras all over the factory. I’m sure the whole thing is on tape.”

It took them two hours to scan the tapes. Two hours to send a guy for donuts and coffee. Two hours to send him a second time, while looking for the spot where this all went down around 12:35 PM on Tuesday, July 21st. On the tape, between 12:30 PM and 1:00 PM Central Standard Time, nothing happened—the break room is dark, as if nobody came in for lunch. Nobody decided to eat lunch today, gentlemen…

“There’s no evidence of anything violent or supernatural or anything occurring at all as far as the tapes are concerned,” said the officer, with a distinguished, but defeated look on his face. “We just can’t seem to find the incident. Period.”

I shook my head, “That’s unbelievable. It’s obvious that something supernatural has happened. Not even the security cameras could catch what I saw—what actually happened in there. I promise you, Clark Baker is some sort of demon possessed—”

“All right, that’s enough,” said the officer, cutting me off. “You can be quiet, kid. You didn’t see anything supernatural. We’ve questioned Clark Baker and he seems perfectly innocent to me. The only reasonable explanation is that you…or somebody helping you, and just maybe Clark Baker, though I highly doubt he is involved in this conspiracy to kill Liam Straub… but somebody erased the segment of the tape during which this altercation occurred.” His eyes turned to dark slits in his tanned face, as if he’d transformed into a serpent. He was pure evil, as far as I was concerned. He was trying to pin the whole death on me. And I had done nothing wrong.

“You must be absolutely blind to think that I would have had the time to erase the footage of Clark’s supernatural attack on Liam. There’s no way in heaven or hell that I could have, as you so ridiculously claim, killed Liam by throwing both he and Clark through the fucking drywall of the break room, gone upstairs to the security booth, while somehow having distracted the security guard on duty at the time, erased the tapes, replaced them with footage of a darkened break room, and then returned back downstairs to be confronted by all of my suspecting co-workers in that short period of time. Show me the goddamn tapes of me walking upstairs to the security booth. For shit’s sake, there’s a fucking camera in the booth! Show me those tapes! I want to see your evidence! I have nothing to do with the death of Liam Straub, officer.” I could hardly breathe after my rant. I inhaled and exhaled heavily, almost doubling over, but contained myself and stared hard into his eyes.

He seemed off put by my defensive monologue—my personal attack on the entirety of the police force and their so-called intelligence. I wasn’t impressed by the lack of cooperation I was receiving from the police in any of these matters, due to the fact that I was being falsely accused of killing a man.

“What do you have to say?” I demanded to know.

“I have no further questions at this time,” he said and turned to go.

“Wait a minute! I have further questions! Don’t you walk away from me, officer!”

He stopped and turned around, looking at me. He looked afraid of me.

I felt superior. I said, “How do you explain the condition Clark Baker is in physically?”

“You mean… why isn’t he harmed?”

I nodded.

“I believe Clark Baker was protected by Liam Straub’s body, so he was not harmed by the splintered wood or the drywall.”

“My god…” It was a decent explanation, I admitted, but it wasn’t the truth and I had no way of explaining that to him.

“I’m going to have to escort you to a squad car outside now, Mr. Turner—”

“Call me Harry,” I said. “I’m not going anywhere with you. I want to speak with a lawyer and I want to speak with Clark Baker, officer. Thank you and good afternoon.” I walked out the break room door, as opposed to simply walking through the gaping hole in the ruined wall and stepping over the messy rubble scattered across the floor. The dust was starting to disturb my allergies—like I’d been breathing fiberglass in the air.

I found Clark Baker sitting at his station, on a revolving wooden stool. I was hesitant in approaching him, considering the demonic state he was previously in and me not really wanting to be his next victim. I said, “Hey, Clark. How’re you doin’?” I sort of waved my hand in front of him to get his physical attention.

“How do you think?” He seemed gloomy, as if the entire world had come to an end and he was left, the only survivor of the apocalypse.

“Well, I’m not sure. I know what I saw back there. The tapes have been altered. Do you know anything about it? Nobody believes what I saw. I saw you transform into some blue…fiery…thing, Clark. I don’t know. I can’t explain it, either, but I saw it and I’m not responsible for this death. You have to come forward and admit to—”

“Shut the fuck up!” He screamed and it echoed off the two walls at my backside.

I shuddered and blinked and waited for his evident attack. Nothing came. I opened my eyes and saw Clark in perfect clarity—white-faced, pimples full of white pus, burning eyes. I looked around, waiting for somebody else to come to my aid—somebody else who was seeing what I was seeing.

Clark Baker’s eyes were two tiny black holes in the middle of ruby red—there was nothing white about them. He was fully demonic, nostrils flaring. The fire was no longer consumed by his body, but it lived in his eyes, within his soul. I knew it was true. He was almost Satan. Somehow Liam had known it too. I’d always suspected Liam to be bipolar or some sort of schizophrenic, but I could tell my suspicions had been confirmed by Clark’s condition. Liam knew Clark was possessed whenever he entered a certain state of mind. In the break room, staring off into space, he was in that state and he knew Clark was demonic.

Clark’s eyes continued to burn red and black and he said in a low, but perfectly audible growl, “Harry Turner, if you say a goddamn word to anyone, I will eat your heart out of your chest. I will chop up and stew your brain in a pot of your boiling blood, while your severed limbs rot in my bath tub.”

I backed away from him slowly without responding. My fingers trembled, my arms and legs shook.

“Do you get it, amigo?”

“Sí,” I said, nodding at him. I didn’t know how to speak with a demon firsthand. It wasn’t something I had ever even thought about having to deal with in my lifetime. Maybe in another lifetime, after my reincarnation. Maybe I’d dealt with it in a previous lifetime, but not now—I was never prepared.

Clark blinked and the fire was gone. With brown eyes he said, “Can I do something for you, Harry?”

“No, no,” I said. “Nothing at all. I’m just walking back to my station. Maybe I’ll go home, I could use a day off. See you, Clark.”

“All right,” he said and swiveled around on his stool, to face his printer.

The interrogating officer cut me off a mere two or three seconds before I could reach my hatchback. “Stop right there,” he said. “I’m afraid I can’t allow you to leave, Mr. Turner. You’re going to have to come with us.”

“I’m afraid I can’t let you take me with you, Mr. Officer. I have to go home. I have no more information I can give you. I’ve told you what I’ve seen and I have nothing to do with the death of Liam Straub. Lucifer murdered him. Clark Baker and the demon that lives inside him killed Liam Straub. Go and ask Clark yourself. You’ll see the fire in his eyes.”

With that, the officer had nothing else to say. He stepped aside and allowed me to pass.

I unlocked my car, opened the driver’s side door, and got in. I started the ignition, backed out of my parking space, and drove home for the night. I knew I would be under observation and I would definitely be hearing from the police in the very near future, but something told me that the truth of the matter would eventually pan out and that I wouldn’t be falsely condemned. I had hope.

today was a good day

today my little brother passed his driver’s test and got his license, and I visited the courthouse downtown to settle my DUI case from last summer… the irony.

Deadly Devices

My bedside phone rings, waking me. “Hey, Tom. Is that you?” It’s the agent Solomon Williams…a slimeball if I ever knew one.

“What do you want, Sol,” I say, rubbing my eyes, sitting up. My head aches from last night’s mixers at Sharon’s house, on the Hollywood Boulevard. I wonder where she is, if she slept at her place or if she left the party with somebody? I hope she didn’t. I want to speak with her about that possible job today.

“Tom, how’ve you been?” His voice crackles, raspier than usual. Maybe the connection is bad. Or maybe it’s my hangover.

“Sol Williams, what gives you the idea you can call me this early in the morning?”

“Tom, it’s ten-thirty for Christ’s sakes. C’mon, after all we’ve been through, Tom?” “What do you want, Sol?”

“I need you for a film, Tommy. Whaddya say?”

“Who’s directing?”

“It’s Gary Spiegel. Hold on, Tom, my assistant just walked in. Lucy, no, not right now. Please, I’m in the middle of a phone call. Thanks. Listen, Tom? You there? I know you’ve never worked with Gary, but I can promise you he’s the best.”

His assistant didn’t really walk in on our phone call. I know that. This is just Sol’s way of covering his ass. He calls it ‘intrigue,’ like he invented the word. Sol is actually a terrible guy, but not a poor teacher when it comes to the business… Until he fucks you over permanently because he’s really a bad person on the inside. He’s my agent. Probably Hollywood’s only agent willing enough to represent me.

I guess that’s how it goes, but Gary Spiegel? He’s a legend. He’s directed four of my favorite films, including White Lies starring my second cousin, Spencer Buchman, and co- starring the sexy Lilly Cameron. Spiegel won three Oscars in 2004 for Who Dunnit?. One for Best Picture, one for Best Director, and the third for Best Original Screenplay. Naturally, I’m going to consider the offer.

“Why me?”

“I feel like I owe you something. Think of it as a favor.”

“You doing me a favor? Why should I believe you, Sol?”

“Tom, please. I’m not trying to male you look bad.”

“No, you’ve done a fine job of that already.”

“Listen, come by my office after three if you’re not too busy—”

“All right, Sol, just shut up.”

“So I’ll see you after three? I’m expecting you, Tom.”

“I’ll see what I can do,” I say, but he knows I’ll be there. What else have I got to do?

“Thanks, Tommy. You won’t be disappointed, I mean it. After three.”

I drop the receiver into its cradle and sprawl back out on the bed, stretching and yawning. I want to go back to sleep but I can’t stop wondering about Solomon Williams project and why he wants me so badly? He’s the reason I haven’t gotten any real work the last eight months, the reason my last movie was a fucking flop. That bastard. The things people are willing to do for money in this town… If you can’t beat ‘em, join ‘em, right?

 

Three o’clock rolls around and I’ve been sitting on the living room couch, contemplating, waiting, wasting time, wasting creativity, not knowing what I should do. All this pent up energy is leaking into the afternoons. I think I fell asleep for an hour, maybe two. I took a handful of painkillers to dull the headache. Drank three cups of coffee, but the counteraction wasn’t enough. Where can I go now? I need to get out and find something to do. Maybe work. Maybe Sharon will be done working earlier than normal. I’ll give her a call around five…I might as well stop by Sol’s office.Damn Sol Williams. Such a dickhead.

5olomon Five is Sol’s agency, considered one of the most respected in LA, but the sleaziest, as far as I’m concerned. The Five represents his top agents, who all work under him. But he’ll do whatever it takes to protect himself, no matter who you are. The building is on Santa Monica, about a mile from where I live in “beautiful” Beverly Hills, or so it’s been rumored. I like to imagine that behind the doors of all my neighbors’ homes are the goings on of things unspeakable. I drop my car at the valet and take the elevator to floor six, where Sol’s office is all the way in the back.

“Tom, good to see you!” He stands up behind his desk and motions for me to sit, then sits back down and rubs his silver goatee with one hand—he’s twenty years older than I am, almost fifty-five. “Please, please. How’ve you been? Good, good.”

I don’t shake his hand. I sit quiet with one leg over the other and wait for him to speak.

“All right, Tom. What do you say?”

“Why does Gary Spiegel want me in his film?”

“Because Gary trusts me. And I trust you, Tom.”

“And I’m supposed to trust that this isn’t going to be another flop?”

“Listen, there’s been a lot of talk. Gary wins Oscars. Alice Kramer will co-star.”

“Big deal. Directors win Oscars all the time and then they film flops. It happens too—”

            “I can guarantee you a nomination.”

            “Bullshit. Don’t talk to me like I’m stupid, Sol. I can walk out right now.”

            “Okay, all I’m saying is that Gary Spiegel wants you in this movie. It has to be you, Tom.”

            “You said that about the last one and I’ve been in three commercials since. Why does Gary Spiegel want me?”

“Okay. Gary told me he needs somebody fresh. I’m throwing you a fucking bone, Tom! You’ve been out of work, so what. This is your chance. Consider this.”

 

I call Sharon and she tells me to meet her for dinner at Pipitone’s Bar & Grill on Sunset. She wants to discuss the job we spoke about at her party last night, so I meet her. And here we are, eating pasta, talking about Solomon Williams and Gary Spiegel.

“You should do it,” she says, twirling angel hair pasta around her fork. It looks just like her curly blonde hair.

I’m eating chicken-asparagus ravioli and it feels like rubber in my mouth when I say his name, “Solomon Williams? Really? My god…”

“Oh, it doesn’t sound that bad. Gary Spiegel, Tom. You have to seriously consider this. It could be your chance to get back at Sol. Show him up. You’re better than Crystal Palace Poltergeist anyway.”

“Please,” I say, grinding my teeth. I can’t stand those three words. The biggest waste of my talent as long as I’ve lived.

“Sorry. But all I’m saying is this could really be your chance, Tom. Spiegel has won a few Oscars.” Sharon is right. I’m going to read the script tonight and consider it. I’m better than commercials.

“So you don’t want me to hook you up with the Ad guy? Your smile is perfect for Shimmer toothpaste.” Sharon’s smile is perfect and I want us to hook up. Her teeth are straight and white and this is what she does. She gets people jobs all over town. I met her at her nephew’s Bar Mitzvah. Sharon’s sister, Emma, and I co-starred in Legal Obligations in ’02.

I want to say yes, just so I can make it work between us. I want to ask Sharon out. I could really use the face-time, but I say, “No, thanks I’m going to read this script and think things over. I’m sure something else will come up if this turns out to be a no-go. I appreciate it, though.”

“No problem,” she says, smiling again, taking a bite. I smile back and my cheeks feel warm.

 

I read the script. It’s a fast- paced action thriller all about the relationship between Billy and Nicole, two cocaine addicts who owe a lot of money, but it’s okay because they’re in love. They’re in way over their heads, unable to pay off the debt they owe to the boss-man, Derek, some wealthy drug dealer. They’re living in LA, running from the law, snorting every line they can and Nicole desperately wants to become an actress, while Billy is just drifting through life, not giving a shit. But the script is well written and I know Gary Spiegel is good enough to make it perfect.

            Sol has called me, leaving messages, six times a day since I left his office with this script in my back pocket. He says in his most recent message that shooting will begin in two days. If he doesn’t hear back from me by tomorrow, he’s going to find another man. Why me? Regardless of the fact that my career was hindered, Solomon Williams claims to have helped me get where I’ve been in this business. He definitely helped me get where I am right now. And I’ll kill him for it if I don’t get this Oscar.

I call him back and agree to play the part. I have a chance to redeem myself. With a guaranteed nomination, all I’ve got to do is back it with my performance. I’ll sign the contract and I’ll do the movie like the professional I am.

 

Gary Spiegel calls to tell me that we’ll be finished filming in about three days. He’s said over and over how promising all of his footage looks so far. “It’s going to be a hit” seems to be his favorite phrase. He asks me to meet him on set early, so we can discuss our final scenes.

Working with Alice Kramer has been a pleasure. She takes her work seriously and always presents herself as a professional. Each scene we’ve done together has gone smoothly. Gary requires both of us to attend the other’s individual takes, so we get direction from both perspectives. There is a reason for his success.

I continually remind myself that Gary is the key to my Oscar. I’ve nailed every take and I’ve taken his direction without fail. I believe him when he says we’ve got a hit. I get to the set an hour early, so I can go over my pages before speaking with him. I grab a cup of coffee and head towards his trailer, near the back of the lot.

Sol Williams’ Mercedes is parked outside. What’s he doing here? My head starts to spin, wondering what Gary could be telling Sol. Of course it’s got to be good. I’m killing the part and I know it. Gary hasn’t given me a single complaint. Could they even be talking about me?

I see that Gary’s trailer door is slightly open. As soon as I’m about to knock, somebody closes it from the inside. It’s probably Sol. I put my ear up to the door, but their voices are too muffled. I look around. The window is open.

Standing under it I can hear them a little better. Gary’s saying something about Alice, but I can’t tell what. Sol gets louder, as if he’s standing at Gary’s window directly above me. I can hear his every word perfectly sounded out.

He says, “Alice croaks and we get paid. That’s how snuff films go.”

Gary’s response is quieter, but he seems to be disagreeing with Sol. I can’t believe what I’ve heard. I’m biting my knuckles, trying not to explode.

“You know what, Gary? The only reason I agreed to do this was because Harry and me go way back and he asked me for a favor. You and I both know you have enough footage so we can just go ahead and get this thing over with. Nobody is going to question it.”

Gary raises his voice, saying, “An accident.” I imagine him shaking his head.

“Nobody’s fault. And that’s a wrap,” says Sol. “Call me as soon as it’s done.”

I can picture Sol walking across the trailer, reaching for the door, and I panic. I run around the corner of the trailer and wait, listening for movement. I hear Gary’s voice muffled again. The trailer door swings open and Sol steps out onto the pavement. I hear him get into his Mercedes and start the engine. After Sol is gone, I don’t know if I want to knock on Gary’s door, but I do it anyway.

“Come in.”

“Knock, knock,” I say and walk in, waving at Gary.

“Hi, Tom. You know, I decided we don’t need to discuss your scenes anymore. You’re doing fine. Get ready to shoot.” Like that, Gary dismisses me.

I can tell he’s having trouble processing his thoughts. He seems to have a lot on his mind—the murder of Alice Kramer. Oscar nominations. How much is he getting paid to kill Alice? He isn’t killing Alice, but he’s in charge. Gary Spiegel is my boss and he’s a murderer. Or he’s going to be. I want to back out.

I don’t have anything to do with Alice. I met her once before we started filming this movie together. I was invited by one of my photographer friends to a promo shoot for a new fragrance she was modeling. She’s nice, but sort of dull. Something about the way she smiles expresses a certain apathy about her. I don’t really mind it. I’m not friends with her. I can’t imagine why anybody wants her dead, but I can bet there’s a very good reason behind it. Maybe she fucked her husband’s best friend. I don’t know Harry Diggs very well, but I heard a nasty rumor about him from Sharon. She says the reason he divorced his first wife, ironically named Nicole, in ’98 was because he got too drunk and gave her broken ribs. What kind of a dickhead knocks his wife in the ribs?

I can’t back out now. I signed the contract, anyway. I’m choosing to ignore everything I’ve just heard. It’s none of my business and what about the Oscar? What about my Oscar? Sol said it was a guarantee. I have to keep my focus on my performance. I need a drink.

 

I show up the next morning on location twenty-five minutes late, hung over, needing coffee badly. My stomach growls, bubbling, but I don’t have time to shit. My hands are shaking so much I can’t hold the Styrofoam cup and I spill it all down the front of myself. It’s a fairly hot morning on the turnpike and I stare at all of Los Angeles bathing in a blurry radiance a few miles beneath us. The glaring sunlight burns my eyes and sweat starts to gather on my forehead.

I’m floating involuntarily. I’m not focused on the scene as a scene. I can’t comprehend the action. I’ve been told to watch this final chase scene, just observing. I knew I wouldn’t be acting today, but I can’t calm myself. I know that somehow Alice will be caught or trapped and burned alive or crushed to death and I can’t escape the thought. I just want to puke.

I’m sitting in a chair on the shoulder of the blocked-off highway, trying to steady my legs while they shake. I stuff the end-pages of the script into my coat and Alice Kramer emerges from her trailer, fresh as can be. I’m here to watch her last take. The totaled car is there, a 2009 Dodge Viper, red with black stripes down the middle, crushed, absolutely obliterated from the chase. There’s just enough room for two people to sit inside. I know it’s rigged or something, not the one that Alice can easily get out of. I wonder if it’s in her will that she’d like to be cremated after she dies. I get chills all over my body and shiver.

Gary says, “Places! Let’s do this. Alice, watch the crash so you know how to act when you get out of the car.”

He’s maybe a year or two older than Sol, but he really looks ancient. He’s got stark-white hair and a sagging chin that melts into the loose folds of his neck, but he always seems to be happy. Oscar nominations, I think.

An assistant opens the rickety door that hangs from broken hinges and Alice gets in, fastening her seatbelt. In our collective scenes, I’d normally be sitting in the driver’s seat next to her. She has to recite her dialogue and then exit the totaled car. That’s all.

I watch Alice look out the window, while our stunt doubles in a pristine ’09 Viper fly down the edge of the cliff, rolling in a reinforced-steel version of our car. Stan Preston, playing Derek, the cocaine boss, follows them. He’s driving a 2008 Chevy Camaro, all white. Both cars bounce, flip, and crash and the faux explosions boom, sending red-orange fire and black smoke spiraling, mushroom clouding into the sky.

The crash-scene is cleaned up and Gary has hardly lifted a finger. The black smoke disperses quickly and the stunt doubles emerge from the wreckage unharmed. I feel like I might vomit, watching Alice’s stunt double, beautiful, and almost identical to Alice from this distance.

Alice Kramer yawns and looks at me, mouthing her dialogue. She’s practicing. She runs a hand through her hair, smoothing out a loose curl.

“This is it, Alice” I say to myself. I’m trembling and sick to my stomach, hoping it’s all a big joke. But this is Gary’s performance. He uses his camera to paint a moving portrait—Alice is his work of art. He must perfect her, as if she isn’t already perfect enough.

Gary yells, “Action!” and suddenly, without warning, the car bursts into flames. Gary’s mouth drops and everybody in the entire crew runs frantic. Someone runs, yelling for a fire extinguisher. Alice is trapped inside the car, screaming, pounding on the glass window. The flames are starting to seep in, catching the interior on fire, and I can’t watch anymore. It’s all happening so fast and all I can think about is winning an Oscar.

“Oh my god!” Gary yells, falling to his knees, crying.

The fire department arrives moments later, but the battered car starts melting and I’m sure Alice is dead. With my face in my hands, I’m ushered off the scene while a number of brave crewmembers run all over the place like ants in a lava storm. I can’t help but puke on one of the tires of a trailer and it splashes all over my shoes that are now covered in dusty brown dirt. All anyone can say is, “My god…”

The hostess Sandy Ralston, who starred in that dramatic, but terribly depressing biopic about Marilyn Monroe says, “As all of you know, Alice Kramer passed away last summer in a tragic accident, while working on the set of her latest film Preoccupied, in which she co-starred alongside the talented Mr. Tom Parsons.”

Everyone in Kodak Theatre applauds, but nobody is smiling. Alice Kramer has been memorialized as a saint. Her work will be remembered forever and tonight she has been nominated for several Oscars.

Sandy Ralston continues, “Tonight we are here to honor Alice Kramer and her respected body of work. Alice has made us laugh and cry over the years, but she will always be remembered for her good attitude, her work ethic, and her smile.”

More applause from the audience. I watch the screen above us. The camera pans over the crowd, all dressed beautifully.

Sharon is my date and she’s been complaining all night about my mood. I can’t seem to accept the fact that everything is okay. Since the accident, all I’ve been able to do is wait around, feel sick to my stomach, and vomit after eating anything. When the phone rings, I jump, scared that it’s police with information about a conspiracy. Sol Williams assured me I’d be nominated for an Oscar and tonight I have been.

I watch the announcement of the nominees for Best Actor. Sharon nudges me in the side with her elbow and smiles that beautiful smile. The audience claps for all of us nominees, while the Academy plays some montage of all of our nominated films.

“That’s you,” she mouths. Another perfect smile. I don’t smile back. I want to run.
“Are you okay?” she whispers.

“I don’t know if I can do this.” I whisper back.

“Tom, this is what you’ve always wanted. What do you mean? The film was great. You have nothing to worry about. You did a great job.”

People sitting around us are staring, wondering why we’re whispering during the announcement.

“…and the Academy Award for Best Actor goes to…” I watch Sandy Ralston tear open the envelope and feel like sprinting to the front of the theatre, waving my hands in the air, and screaming.

“Sharon, oh my god,” I say.

“What?”

“Oh my god,” is all that will come out. “Oh my god.”

“Tom? What?”

Sandy says, “Tom Parsons!”

Sharon stands up, clapping wildly, and says, “Tom, you won! You have to get up there! Go! You won an Oscar!”

Everything moving at the speed of light, Sharon is pulling me up out of my seat and shoving me towards the stage with a confused look on her face, the audience is going wild with applause, but all I can think about is getting the fuck out of here.

My knees feel like they might lock up and it’s difficult to walk straight. I wobble up onto the stage to accept my Oscar and I’m sweating profusely all over my body. Sandy’s hands are soft and a little bit cold. I almost drop the award. I take the microphone in one hand. Before the music starts playing, all I can say is, “Thank you.”